\u03bf \u039c\u03ad\u03b3\u03b1\u03c1\u03bf \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2 \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2 \u03c3\u03c4\u03b7\u03c1\u03af\u03b6\u03b5\u03b9 \u03b5\u03bc\u03c0\u03c1\u03ac\u03ba\u03c4\u03c9\u03c2 \u03b1\u03be\u03b9\u03cc\u03bb\u03bf\u03b3\u03bf\u03c5\u03c2 \u03c3\u03c0\u03bf\u03c5\u03b4\u03b1\u03c3\u03c4\u03ad\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ce\u03bd \u03b9\u03b4\u03c1\u03c5\u03bc\u03ac\u03c4\u03c9\u03bd \u03c4\u03b7\u03c2 \u03c0\u03cc\u03bb\u03b7\u03c2 \u03ba\u03b1\u03b9 \u03bd\u03b9\u03ba\u03b7\u03c4\u03ad\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ce\u03bd \u03b4\u03b9\u03b1\u03b3\u03c9\u03bd\u03b9\u03c3\u03bc\u03ce\u03bd, \u03b4\u03b9\u03bf\u03c1\u03b3\u03b1\u03bd\u03ce\u03bd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03c6\u03ad\u03c4\u03bf\u03c2 \u03c4\u03bf\u03bd \u03b5\u03c0\u03b9\u03c4\u03c5\u03c7\u03b7\u03bc\u03ad\u03bd\u03bf \u03ba\u03cd\u03ba\u03bb\u03bf \u039d\u03ad\u03c9\u03bd \u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03ce\u03bd.<\/p>\n\n\n\n
\u03a3\u03b5 \u03c4\u03c1\u03b5\u03b9\u03c2 \u03b8\u03b5\u03bc\u03b1\u03c4\u03b9\u03ba\u03ad\u03c2 \u03b2\u03c1\u03b1\u03b4\u03b9\u03ad\u03c2, \u03c4\u03b7\u03bd \u03a4\u03b5\u03c4\u03ac\u03c1\u03c4\u03b7 6, 13 \u03ba\u03b1\u03b9 20 \u0399\u03bf\u03c5\u03bb\u03af\u03bf\u03c5, \u03c3\u03c4\u03bf \u03b1\u03af\u03b8\u03c1\u03b9\u03bf \u03c4\u03b7\u03c2 \u03b1\u03af\u03b8\u03bf\u03c5\u03c3\u03b1\u03c2 \u039c. \u03a3\u03b1\u03bb\u03c4\u03b9\u03ad\u03bb, \u03bf \u039f\u03c1\u03b3\u03b1\u03bd\u03b9\u03c3\u03bc\u03cc\u03c2 \u03b4\u03af\u03bd\u03b5\u03b9 \u03b2\u03ae\u03bc\u03b1 \u03c3\u03c4\u03bf \u03bd\u03ad\u03bf \u00ab\u03b1\u03af\u03bc\u03b1\u00bb \u03c4\u03bf\u03c5 \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03bf\u03cd \u03b4\u03c5\u03bd\u03b1\u03bc\u03b9\u03ba\u03bf\u03cd \u03bd\u03b1 \u03c0\u03c1\u03bf\u03b2\u03ac\u03bb\u03bb\u03b5\u03b9 \u03ba\u03b1\u03b9 \u03bd\u03b1 \u03b1\u03bd\u03b1\u03b4\u03b5\u03af\u03be\u03b5\u03b9 \u03c4\u03bf \u03c4\u03b1\u03bb\u03ad\u03bd\u03c4\u03bf \u03c4\u03bf\u03c5, \u03ba\u03ac\u03bd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c4\u03bf \u03c0\u03c1\u03ce\u03c4\u03bf \u03c3\u03b7\u03bc\u03b1\u03bd\u03c4\u03b9\u03ba\u03cc \u03b2\u03ae\u03bc\u03b1 \u03c3\u03c4\u03b7 \u03c3\u03c4\u03b1\u03b4\u03b9\u03bf\u03b4\u03c1\u03bf\u03bc\u03af\u03b1 \u03c4\u03bf\u03c5.<\/p>\n\n\n\n
\u03a4\u03b7\u03bd \u03a4\u03b5\u03c4\u03ac\u03c1\u03c4\u03b7 6 \u03ba\u03b1\u03b9 13 \u0399\u03bf\u03c5\u03bb\u03af\u03bf\u03c5, \u03c4\u03bf \u03a1\u03b5\u03c3\u03b9\u03c4\u03ac\u03bb \u039d\u03ad\u03c9\u03bd \u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03ce\u03bd \u03b8\u03b1 \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03b9\u03ac\u03c3\u03b5\u03b9 \u03c3\u03c4\u03bf \u03ba\u03bf\u03b9\u03bd\u03cc 19 \u03c3\u03c0\u03bf\u03c5\u03b4\u03b1\u03c3\u03c4\u03ad\u03c2 \u03c9\u03b4\u03b5\u03af\u03c9\u03bd, \u03b5\u03bd\u03ce \u03c4\u03b7\u03bd \u03a4\u03b5\u03c4\u03ac\u03c1\u03c4\u03b7 20 \u0399\u03bf\u03c5\u03bb\u03af\u03bf\u03c5 \u03c4\u03bf\u03c5\u03c2 12 \u03bd\u03b9\u03ba\u03b7\u03c4\u03ad\u03c2 \u03c4\u03c9\u03bd \u03b4\u03b9\u03b1\u03b3\u03c9\u03bd\u03b9\u03c3\u03bc\u03ce\u03bd \u00ab\u03a4\u03ac\u03c3\u03bf\u03c2 \u03a0\u03b1\u03c0\u03c0\u03ac\u03c2\u00bb \u03ba\u03b1\u03b9 \u00abOrpheus Soloists\u00bb.<\/p>\n\n\n\n
\u03a6\u03ad\u03c4\u03bf\u03c2 \u03bf \u03b8\u03b5\u03c3\u03bc\u03cc\u03c2 \u03b1\u03bd\u03b1\u03b2\u03b1\u03b8\u03bc\u03af\u03b6\u03b5\u03c4\u03b1\u03b9 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03ad\u03c2 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03bf\u03c0\u03bf\u03b9\u03ae\u03b8\u03b7\u03ba\u03b1\u03bd \u03b2\u03ac\u03c3\u03b5\u03b9 \u03b1\u03ba\u03c1\u03bf\u03ac\u03c3\u03b5\u03c9\u03bd, \u03b3\u03b5\u03b3\u03bf\u03bd\u03cc\u03c2 \u03c0\u03bf\u03c5 \u03c0\u03c1\u03bf\u03c3\u03b4\u03af\u03b4\u03b5\u03b9 \u03ac\u03bb\u03bb\u03b7 \u03b2\u03b1\u03c1\u03cd\u03c4\u03b7\u03c4\u03b1 \u03ba\u03b1\u03b8\u03ce\u03c2 \u03b4\u03b5\u03af\u03c7\u03bd\u03b5\u03b9 \u03c4\u03b1 \u03c5\u03c8\u03b7\u03bb\u03ac \u03c3\u03c4\u03ac\u03bd\u03c4\u03b1\u03c1\u03c4\u03c2 \u03c0\u03bf\u03c5 \u03b8\u03ad\u03c4\u03b5\u03b9 \u03c4\u03bf \u039c\u03ad\u03b3\u03b1\u03c1\u03bf \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2 \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2.<\/p>\n\n\n\n
\u039a\u03b1\u03b9 \u03c4\u03b9\u03c2 \u03c4\u03c1\u03b5\u03b9\u03c2 \u03b2\u03c1\u03b1\u03b4\u03b9\u03ad\u03c2 \u03b7 \u03b5\u03af\u03c3\u03bf\u03b4\u03bf\u03c2 \u03b5\u03af\u03bd\u03b1\u03b9 \u03b5\u03bb\u03b5\u03cd\u03b8\u03b5\u03c1\u03b7 \u03b3\u03b9\u03b1 \u03c4\u03bf \u03ba\u03bf\u03b9\u03bd\u03cc \u03bc\u03b5 \u03b4\u03b5\u03bb\u03c4\u03af\u03b1 \u03b5\u03b9\u03c3\u03cc\u03b4\u03bf\u03c5 \u03c0\u03bf\u03c5 \u03bc\u03c0\u03bf\u03c1\u03b5\u03af\u03c4\u03b5 \u03bd\u03b1 \u03c0\u03c1\u03bf\u03bc\u03b7\u03b8\u03b5\u03c5\u03c4\u03b5\u03af\u03c4\u03b5 \u03b1\u03c0\u03cc \u03c4\u03bf www.tch.gr<\/p>\n\n\n\n
\u03a4\u03bf \u03c0\u03c1\u03cc\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1<\/p>\n\n\n\n
\u03a4\u03b5\u03c4\u03ac\u03c1\u03c4\u03b7 06 \u0399\u03bf\u03c5\u03bb\u03af\u03bf\u03c5 2022
-\u0394\u03b7\u03bc\u03bf\u03c4\u03b9\u03ba\u03cc \u03a9\u03b4\u03b5\u03af\u03bf \u03a0\u03c5\u03bb\u03b1\u03af\u03b1\u03c2-\u03a7\u03bf\u03c1\u03c4\u03b9\u03ac\u03c4\u03b7
\u0397einrich Sutermeister: Capriccio in A \u03b3\u03b9\u03b1 \u03c3\u03cc\u03bb\u03bf \u03ba\u03bb\u03b1\u03c1\u03b9\u03bd\u03ad\u03c4\u03bf
(1910-1995)
\u03a3\u03c4\u03b1\u03bc\u03ac\u03c4\u03b7\u03c2 \u039c\u03b1\u03c4\u03b8\u03b1\u03af\u03bf\u03c5 \u03ba\u03bb\u03b1\u03c1\u03b9\u03bd\u03ad\u03c4\u03bf<\/p>\n\n\n\n
Carl Maria von Weber: \u039a\u03bf\u03bd\u03c4\u03c3\u03ad\u03c1\u03c4\u03bf \u03b3\u03b9\u03b1 \u03ba\u03bb\u03b1\u03c1\u03b9\u03bd\u03ad\u03c4\u03bf \u03b1\u03c1.1 \u03c3\u03b5 \u03c6\u03b1 \u03b5\u03bb\u03ac\u03c3\u03c3\u03bf\u03bd\u03b1, \u03ad\u03c1\u03b3\u03bf 73
(1786-1826) -Adagio ma non troppo
\u0398\u03b5\u03cc\u03b4\u03c9\u03c1\u03bf\u03c2 \u039a\u03bf\u03c5\u03c6\u03cc\u03b3\u03bb\u03bf\u03c5 \u03ba\u03bb\u03b1\u03c1\u03b9\u03bd\u03ad\u03c4\u03bf<\/p>\n\n\n\n
\u03a4\u03bc\u03ae\u03bc\u03b1 \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2 \u0395\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b7\u03c2 \u03ba\u03b1\u03b9 \u03a4\u03ad\u03c7\u03bd\u03b7\u03c2 \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u039c\u03b1\u03ba\u03b5\u03b4\u03bf\u03bd\u03af\u03b1\u03c2
Igor Stravinsky: Trois mouvements de Petrouchka
(1882-1971) i. Danse Russe
ii. Chez P\u00e9trouchka
iii. La semaine grasse
\u039d\u03b1\u03c4\u03b1\u03bb\u03af\u03b1 \u0393\u03b9\u03b1\u03bd\u03bd\u03ac\u03ba\u03b7 \u03c0\u03b9\u03ac\u03bd\u03bf<\/p>\n\n\n\n
-\u039a\u03c1\u03b1\u03c4\u03b9\u03ba\u03cc \u03a9\u03b4\u03b5\u03af\u03bf \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2
Robert Schumann: Abegg Variations \u03c3\u03b5 \u03c6\u03b1 \u03bc\u03b5\u03af\u03b6\u03bf\u03bd\u03b1, \u03ad\u03c1\u03b3\u03bf 1
(1810-1856)
\u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c2 \u0391\u03b3\u03b3\u03b5\u03bb\u03af\u03b4\u03b7\u03c2 \u03c0\u03b9\u03ac\u03bd\u03bf<\/p>\n\n\n\n
Gaetano Donizetti: \u201cQuel guardo, il cavaliere\u2026So anch’io la virtu magica\u201d
(1797-1848) \u03ac\u03c1\u03b9\u03b1 \u03c4\u03b7\u03c2 \u039d\u03bf\u03c1\u03af\u03bd\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03c0\u03c1\u03ce\u03c4\u03b7 \u03c0\u03c1\u03ac\u03be\u03b7 \u03c4\u03b7\u03c2 \u03cc\u03c0\u03b5\u03c1\u03b1\u03c2 Don Pasquale
\u0395\u03bc\u03bc\u03b1\u03bd\u03bf\u03c5\u03ad\u03bb\u03b1 \u039f\u03c1\u03c6\u03b1\u03bd\u03bf\u03c5\u03b4\u03ac\u03ba\u03b7 \u03bc\u03bf\u03bd\u03c9\u03b4\u03af\u03b1<\/p>\n\n\n\n
Giacomo Puccini\u00a8\u201cQuando m’en vo’\u201d \u03ac\u03c1\u03b9\u03b1 \u03c4\u03b7\u03c2 \u039c\u03bf\u03c5\u03b6\u03ad\u03c4\u03b1
(1858-1924) \u03b1\u03c0\u03cc \u03c4\u03b7 \u03b4\u03b5\u03cd\u03c4\u03b5\u03c1\u03b7 \u03c0\u03c1\u03ac\u03be\u03b7 \u03c4\u03b7\u03c2 \u03cc\u03c0\u03b5\u03c1\u03b1\u03c2 La Boh\u00e8me
\u0395\u03bc\u03bc\u03b1\u03bd\u03bf\u03c5\u03ad\u03bb\u03b1 \u039f\u03c1\u03c6\u03b1\u03bd\u03bf\u03c5\u03b4\u03ac\u03ba\u03b7 \u03bc\u03bf\u03bd\u03c9\u03b4\u03af\u03b1
\u03a3\u03c5\u03bd\u03bf\u03b4\u03b5\u03af\u03b1 \u03c0\u03b9\u03ac\u03bd\u03bf\u03c5 \u0398\u03b1\u03bd\u03ac\u03c3\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ca\u03c3\u03af\u03bf\u03c5<\/p>\n\n\n\n
-\u03a9\u03b4\u03b5\u03af\u03bf \u03a3\u03b5\u03af\u03c1\u03b9\u03bf\u03c2
Fr\u00e9d\u00e9ric Chopin: Scherzo \u03b1\u03c1.2, \u03ad\u03c1\u03b3\u03bf 31
(1810-1849)
\u0397\u03c1\u03b1\u03ba\u03bb\u03ae\u03c2 \u0391\u03bb\u03b5\u03be\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2 \u03c0\u03b9\u03ac\u03bd\u03bf<\/p>\n\n\n\n
-\u03a9\u03b4\u03b5\u03af\u03bf \u03a6\u03af\u03bb\u03b9\u03c0\u03c0\u03bf\u03c2 \u039d\u03ac\u03ba\u03b1\u03c2
Lubo\u0161 Fi\u0161er: \u03a3\u03bf\u03bd\u03ac\u03c4\u03b1 \u03b3\u03b9\u03b1 \u03c0\u03b9\u03ac\u03bd\u03bf \u03b1\u03c1.6, \u201cFras\u201d (The Devil)
(1935-1999)
M\u03b1\u03c1\u03af\u03b1 \u03a4\u03c3\u03bf\u03cd\u03b3\u03ba\u03c1\u03b1 \u03c0\u03b9\u03ac\u03bd\u03bf<\/p>\n\n\n\n
Niccol\u00f2 Paganini: Caprice \u03b1\u03c1. 24 \u03c3\u03b5 \u03bb\u03b1 \u03b5\u03bb\u03ac\u03c3\u03c3\u03bf\u03bd\u03b1
(1782-1840)
\u03a7\u03c1\u03b9\u03c3\u03c4\u03cc\u03c6\u03bf\u03c1\u03bf\u03c2 \u03a0\u03b5\u03c4\u03c1\u03af\u03b4\u03b7\u03c2 \u03b2\u03b9\u03bf\u03bb\u03af<\/p>\n\n\n\n
Nikolai Rimsky-Korsakov: Flight of the Bumblebee
(1844-1908)
\u039c\u03b1\u03c1\u03af\u03b1 \u0388\u03bb\u03bb\u03b7 \u03a0\u03b5\u03c4\u03c1\u03af\u03b4\u03bf\u03c5 \u03c4\u03c3\u03ad\u03bb\u03bf
\u03a3\u03c5\u03bd\u03bf\u03b4\u03b5\u03af\u03b1 \u03c0\u03b9\u03ac\u03bd\u03bf\u03c5 \u0392\u03b1\u03bb\u03ad\u03c1\u03b9\u03b1 \u03a7\u03b1\u03c1\u03b9\u03c4\u03af\u03b4\u03bf\u03c5<\/p>\n\n\n\n
Franz Anton Hoffmeister: \u039a\u03bf\u03bd\u03c4\u03c3\u03ad\u03c1\u03c4\u03bf \u03b3\u03b9\u03b1 \u03b2\u03b9\u03cc\u03bb\u03b1 \u03c3\u03b5 \u03c1\u03b5 \u03b5\u03bb\u03ac\u03c3\u03c3\u03bf\u03bd\u03b1
(1754-1812) 1\u03bf \u03bc\u03ad\u03c1\u03bf\u03c2 -Allegro
\u039c\u03b1\u03c1\u03b3\u03b1\u03c1\u03af\u03c4\u03b1 \u03a0\u03b5\u03c4\u03c1\u03af\u03b4\u03bf\u03c5 \u03b2\u03b9\u03cc\u03bb\u03b1
\u03a3\u03c5\u03bd\u03bf\u03b4\u03b5\u03af\u03b1 \u03c0\u03b9\u03ac\u03bd\u03bf\u03c5 \u0392\u03b1\u03bb\u03ad\u03c1\u03b9\u03b1 \u03a7\u03b1\u03c1\u03b9\u03c4\u03af\u03b4\u03bf\u03c5<\/p>\n\n\n\n
\u03a4\u03b5\u03c4\u03ac\u03c1\u03c4\u03b7 13 \u0399\u03bf\u03c5\u03bb\u03af\u03bf\u03c5 2022<\/p>\n\n\n\n
-\u0394\u03b7\u03bc\u03bf\u03c4\u03b9\u03ba\u03cc \u03a9\u03b4\u03b5\u03af\u03bf \u03a3\u03c4\u03b1\u03c5\u03c1\u03bf\u03cd\u03c0\u03bf\u03bb\u03b7\u03c2
Roland Dyens: Libra Sonatine
(1955-2016)
\u0393\u03b9\u03ce\u03c1\u03b3\u03bf\u03c2 \u03a3\u03b1\u03bb\u03c4\u03c3\u03af\u03b4\u03b7\u03c2 \u03ba\u03b9\u03b8\u03ac\u03c1\u03b1<\/p>\n\n\n\n
-\u03a3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03bf \u03a9\u03b4\u03b5\u03af\u03bf \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2
Gioachino Rossini: \u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae, \u0398\u03ad\u03bc\u03b1 \u03ba\u03b1\u03b9 \u03a0\u03b1\u03c1\u03b1\u03bb\u03bb\u03b1\u03b3\u03ad\u03c2
(1792-1868)
M\u03b9\u03bb\u03c4\u03b9\u03ac\u03b4\u03b7\u03c2 \u03a0\u03bb\u03b9\u03ac\u03c4\u03c3\u03b9\u03ba\u03b1\u03c2 \u03ba\u03bb\u03b1\u03c1\u03b9\u03bd\u03ad\u03c4\u03bf
\u03a3\u03c5\u03bd\u03bf\u03b4\u03b5\u03af\u03b1 \u03c0\u03b9\u03ac\u03bd\u03bf\u03c5 \u039a\u03bb\u03b1\u03bf\u03cd\u03bd\u03c4\u03b9\u03bf \u03a3\u03c4\u03c1\u03bf\u03cd\u03b3\u03ba\u03b1<\/p>\n\n\n\n
-\u039d\u03ad\u03bf \u03a9\u03b4\u03b5\u03af\u03bf \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2
Paul Hindemith: Oboe sonata
(1895-1963) i. Munter
ii. Sehr langsam. Lebhaft – Sehr landsam wie zuerst
\u03a6\u03af\u03bb\u03b9\u03c0\u03c0\u03bf\u03c2 \u039c\u03c0\u03bf\u03c4\u03ce\u03bd\u03b7\u03c2 \u03cc\u03bc\u03c0\u03bf\u03b5
\u03a3\u03c5\u03bd\u03bf\u03b4\u03b5\u03af\u03b1 \u03c0\u03b9\u03ac\u03bd\u03bf\u03c5 \u039d\u03b9\u03ba\u03cc\u03bb\u03b1\u03bf\u03c2 \u0396\u03b1\u03c6\u03c1\u03b1\u03bd\u03ac\u03c2<\/p>\n\n\n\n
-\u03a9\u03b4\u03b5\u03af\u03bf \u03a4\u03bf\u03cd\u03bc\u03c0\u03b1\u03c2 \u039a\u03ce\u03c3\u03c4\u03b1 \u039c\u03b1\u03c4\u03c3\u03af\u03b3\u03ba\u03bf\u03c5
Georg Philipp Telemann: Fantasie \u03b1\u03c1. 2 \u03c3\u03b5 \u03bb\u03b1 \u03b5\u03bb\u03ac\u03c3\u03c3\u03bf\u03bd\u03b1
(1681-1767) i. Grave
ii. Vivace
iii. Adagio
iv. Allegro
\u0391\u03bb\u03ad\u03be\u03b1\u03bd\u03b4\u03c1\u03bf\u03c2 \u0394\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf<\/p>\n\n\n\n
-\u039c\u03b1\u03ba\u03b5\u03b4\u03bf\u03bd\u03b9\u03ba\u03cc \u03a9\u03b4\u03b5\u03af\u03bf
Roland Dyens: Songe Capricorne
(1955-2016)
\u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u039c\u03b1\u03c4\u03c1\u03b1\u03c4\u03b6\u03ae\u03c2 \u03ba\u03b9\u03b8\u03ac\u03c1\u03b1<\/p>\n\n\n\n
-\u03a9\u03b4\u03b5\u03af\u03bf \u0386\u03bd\u03c9 \u03a0\u03cc\u03bb\u03b7\u03c2
Giacomo Puccini: \u201cQuando me\u2019n v\u2019o\u201d \u03ac\u03c1\u03b9\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03cc\u03c0\u03b5\u03c1\u03b1 La Boh\u00e8me
(1858-1924)
\u0386\u03bd\u03bd\u03b1 \u0395\u03bb\u03b5\u03c5\u03b8\u03b5\u03c1\u03b9\u03ac\u03b4\u03bf\u03c5 \u03c3\u03bf\u03c0\u03c1\u03ac\u03bd\u03bf
\u03a3\u03c5\u03bd\u03bf\u03b4\u03b5\u03af\u03b1 \u03c0\u03b9\u03ac\u03bd\u03bf\u03c5 \u039c\u03b1\u03c1\u03af\u03b1 \u0391\u03c1\u03bf\u03c5\u03c3\u03ac\u03bd\u03bf\u03b2\u03b1<\/p>\n\n\n\n
Wolfgang Amadeus Mozart: \u201cHai gi\u00e0 vinta la causa\u201d \u03ac\u03c1\u03b9\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03cc\u03c0\u03b5\u03c1\u03b1 Le Nozze di Figaro
(1756-1791)
\u0394\u03b9\u03bf\u03bd\u03cd\u03c3\u03b7\u03c2 \u0391\u03c5\u03b3\u03b5\u03c1\u03b9\u03bd\u03cc\u03c2 \u03b2\u03b1\u03c1\u03cd\u03c4\u03bf\u03bd\u03bf\u03c2
\u03a3\u03c5\u03bd\u03bf\u03b4\u03b5\u03af\u03b1 \u03c0\u03b9\u03ac\u03bd\u03bf\u03c5 \u039c\u03b1\u03c1\u03af\u03b1 \u0391\u03c1\u03bf\u03c5\u03c3\u03ac\u03bd\u03bf\u03b2\u03b1<\/p>\n\n\n\n
Wolfgang Amadeus Mozart: \u201cL\u00e0 ci darem la mano\u201d \u03bd\u03c4\u03bf\u03c5\u03ad\u03c4\u03bf \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03cc\u03c0\u03b5\u03c1\u03b1 Don Giovanni
\u0386\u03bd\u03bd\u03b1 \u0395\u03bb\u03b5\u03c5\u03b8\u03b5\u03c1\u03b9\u03ac\u03b4\u03bf\u03c5 \u03c3\u03bf\u03c0\u03c1\u03ac\u03bd\u03bf
\u0394\u03b9\u03bf\u03bd\u03cd\u03c3\u03b7\u03c2 \u0391\u03c5\u03b3\u03b5\u03c1\u03b9\u03bd\u03cc\u03c2 \u03b2\u03b1\u03c1\u03cd\u03c4\u03bf\u03bd\u03bf\u03c2
\u03a3\u03c5\u03bd\u03bf\u03b4\u03b5\u03af\u03b1 \u03c0\u03b9\u03ac\u03bd\u03bf\u03c5 \u039c\u03b1\u03c1\u03af\u03b1 \u0391\u03c1\u03bf\u03c5\u03c3\u03ac\u03bd\u03bf\u03b2\u03b1
-\u0398\u03b5\u03c1\u03bc\u03b1\u03ca\u03ba\u03cc \u03a9\u03b4\u03b5\u03af\u03bf
Fr\u00e9d\u00e9ric Chopin: Scherzo \u03b1\u03c1.2, \u03ad\u03c1\u03b3\u03bf 31
(1810-1849)
\u039a\u03c5\u03c1\u03b9\u03ac\u03ba\u03bf\u03c2 \u03a3\u03b1\u03c7\u03c0\u03b1\u03b6\u03af\u03b4\u03b7\u03c2 \u03c0\u03b9\u03ac\u03bd\u03bf<\/p>\n\n\n\n
-\u0394\u03b7\u03bc\u03bf\u03c4\u03b9\u03ba\u03cc \u03a9\u03b4\u03b5\u03af\u03bf \u0398\u03ad\u03c1\u03bc\u03b7\u03c2
\u0391gust\u00edn Barrios Mangor\u00e9: La Catedral
(1885-1974) i. Preludio Saudade
ii. Andante Religioso
iii. Allegro Solemne
\u039c\u03b9\u03c7\u03ac\u03bb\u03b7\u03c2 \u039a\u03bf\u03c5\u03c4\u03c3\u03bc\u03b1\u03bd\u03ae\u03c2 \u03ba\u03b9\u03b8\u03ac\u03c1\u03b1<\/p>\n\n\n\n
\u03a4\u03b5\u03c4\u03ac\u03c1\u03c4\u03b7 20 \u0399\u03bf\u03c5\u03bb\u03af\u03bf\u03c5 2022<\/p>\n\n\n\n
\u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03b1 “\u03a4\u03ac\u03c3\u03bf\u03c2 \u03a0\u03b1\u03c0\u03c0\u03ac\u03c2-\u03a7\u0391\u039d\u0398” \u03b1\u03c0\u03cc \u03c4\u03bf\u03bd 3\u03bf \u03a0\u03b1\u03bd\u03b5\u03bb\u03bb\u03ae\u03bd\u03b9\u03bf \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc \u0394\u03b9\u03b1\u03b3\u03c9\u03bd\u03b9\u03c3\u03bc\u03cc 2021:<\/p>\n\n\n\n
\u03a0\u03c1\u03cc\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1:<\/p>\n\n\n\n
Camille Saint-Sa\u00ebns: Introduction et Rondo Capriccioso, \u03ad\u03c1\u03b3\u03bf 28 \u03b3\u03b9\u03b1 \u03b2\u03b9\u03bf\u03bb\u03af \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf
(1835-1921)
\u039f\u03b4\u03c5\u03c3\u03c3\u03ad\u03b1\u03c2 \u03a4\u03c3\u03b1\u03ba\u03b1\u03bb\u03af\u03b4\u03b7\u03c2 \u03b2\u03b9\u03bf\u03bb\u03af<\/p>\n\n\n\n
Gioachino Rossini: Introduction, theme and variations
(1792-1868)
\u039c\u03b9\u03bb\u03c4\u03b9\u03ac\u03b4\u03b7\u03c2 \u03a0\u03bb\u03b9\u03ac\u03c4\u03c3\u03b9\u03ba\u03b1\u03c2 \u03ba\u03bb\u03b1\u03c1\u03b9\u03bd\u03ad\u03c4\u03bf<\/p>\n\n\n\n
Johann Sebastian Bach: Prelude, Fugue and Allegro \u03c3\u03b5 \u03bc\u03b9 \u03cd\u03c6\u03b5\u03c3\u03b7 \u03bc\u03b5\u03af\u03b6\u03bf\u03bd\u03b1, BWV 998
(1685-1750)
\u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c2 \u03a0\u03b1\u03bb\u03b1\u03b9\u03bf\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03ba\u03b9\u03b8\u03ac\u03c1\u03b1<\/p>\n\n\n\n
Joaqu\u00edn Rodrigo: Tiento Antiguo
(1901-1999)
\u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c2 \u03a0\u03b1\u03bb\u03b1\u03b9\u03bf\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03ba\u03b9\u03b8\u03ac\u03c1\u03b1<\/p>\n\n\n\n
S\u00e9rgio Assad: Farewell
(1952)
\u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c2 \u03a0\u03b1\u03bb\u03b1\u03b9\u03bf\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03ba\u03b9\u03b8\u03ac\u03c1\u03b1<\/p>\n\n\n\n
Fr\u00e9d\u00e9ric Chopin: Scerzo \u03b1\u03c1. 2, \u03ad\u03c1\u03b3\u03bf 31
(1810-1849)
\u0395\u03b2\u03b5\u03bb\u03af\u03bd\u03b1 \u03a4\u03c3\u03b9\u03b1\u03bd\u03c4\u03b6\u03ae-\u039c\u03b1\u03bd\u03c4\u03ad \u03c0\u03b9\u03ac\u03bd\u03bf<\/p>\n\n\n\n
Francis Poulenc: \u03a3\u03bf\u03bd\u03ac\u03c4\u03b1 \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf
(1899-1963) i. Allegro malincolico
ii. Cantilena -Assez lent
\u03a6\u03b1\u03bd\u03ae \u0392\u03b1\u03bb\u03c4\u03b1\u03b4\u03ce\u03c1\u03bf\u03c5 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf<\/p>\n\n\n\n
Witold Lutoslawski: Epitaph (1979) in memoriam Alan Richardson (1904-1978)
(1913-1994)
\u03a6\u03af\u03bb\u03b9\u03c0\u03c0\u03bf\u03c2 \u039c\u03c0\u03bf\u03c4\u03ce\u03bd\u03b7\u03c2 \u03cc\u03bc\u03c0\u03bf\u03b5<\/p>\n\n\n\n
Benjamin Britten: Six Metamorphoses after Ovid, \u03ad\u03c1\u03b3\u03bf 49 \u03b3\u03b9\u03b1 \u03cc\u03bc\u03c0\u03bf\u03b5
(1913-1976)
\u03a6\u03af\u03bb\u03b9\u03c0\u03c0\u03bf\u03c2 \u039c\u03c0\u03bf\u03c4\u03ce\u03bd\u03b7\u03c2 \u03cc\u03bc\u03c0\u03bf\u03b5<\/p>\n\n\n\n
\u0392\u03c1\u03b1\u03b2\u03b5\u03c5\u03b8\u03ad\u03bd\u03c4\u03b5\u03c2 \u03c4\u03bf\u03c5 5\u03bf\u03c5 \u03a0\u03b1\u03bd\u03b5\u03bb\u03bb\u03ae\u03bd\u03b9\u03bf\u03c5 \u0394\u03b9\u03b1\u03b3\u03c9\u03bd\u03b9\u03c3\u03bc\u03bf\u03cd \u00abOrpheus Soloists\u00bb:<\/p>\n\n\n\n
\u03a0\u03c1\u03cc\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1:<\/p>\n\n\n\n
Dyens Roland: Valse en Skai
(1955-2016)
Torroba Federico Moreno: Sonatina (\u03b1\u2019 \u03bc\u03ad\u03c1\u03bf\u03c2)
(1891-1982)
\u0395\u03bc\u03bc\u03b1\u03bd\u03bf\u03c5\u03ae\u03bb \u039c\u03b1\u03ba\u03c1\u03af\u03b4\u03b7\u03c2 \u03ba\u03b9\u03b8\u03ac\u03c1\u03b1<\/p>\n\n\n\n
Jacques Ibert: Pi\u00e8ce pour fl\u00fbte seule
(1890-1962)
\u0394\u03ae\u03bc\u03b7\u03c4\u03c1\u03b1 \u039a\u03c9\u03c3\u03c4\u03af\u03ba\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf<\/p>\n\n\n\n
Louis Spohr: Fantasie \u03c3\u03b5 \u03bd\u03c4\u03bf \u03b5\u03bb\u03ac\u03c3\u03c3\u03bf\u03bd\u03b1, \u03ad\u03c1\u03b3\u03bf 35
(1784-1859)
\u0396\u03c9\u03ae \u039a\u03bf\u03c5\u03bd\u03c4\u03bf\u03cd\u03c1\u03b7 \u03ac\u03c1\u03c0\u03b1<\/p>\n\n\n\n
Franz Joseph Haydn: \u03a3\u03bf\u03bd\u03ac\u03c4\u03b1 \u03c3\u03b5 \u03bc\u03b9 \u03cd\u03c6\u03b5\u03c3\u03b7 \u03bc\u03b5\u03af\u03b6\u03bf\u03bd\u03b1, \u03b1\u03c1. 62
(1732-1809)
\u0394\u03b7\u03bc\u03ae\u03c4\u03c1\u03b9\u03bf\u03c2 \u03a0\u03bf\u03cd\u03bb\u03b9\u03bf\u03c2 \u03c0\u03b9\u03ac\u03bd\u03bf<\/p>\n\n\n\n
Sergei Koussevitzky: K\u03bf\u03bd\u03c4\u03c3\u03ad\u03c1\u03c4\u03bf \u03b3\u03b9\u03b1 \u03ba\u03bf\u03bd\u03c4\u03c1\u03b1\u03bc\u03c0\u03ac\u03c3\u03bf \u03ad\u03c1\u03b3\u03bf 3
(1874-1951) Allegro \u2013 alla breve
Andante
\u03a7\u03b1\u03c1\u03ac\u03bb\u03b1\u03bc\u03c0\u03bf\u03c2 \u0393\u03c1\u03b7\u03b3\u03bf\u03c1\u03b9\u03ac\u03b4\u03b7\u03c2 \u03ba\u03bf\u03bd\u03c4\u03c1\u03b1\u03bc\u03c0\u03ac\u03c3\u03bf
\u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u0396\u03b3\u03bf\u03cd\u03c1\u03b1\u03c2 \u03c0\u03b9\u03ac\u03bd\u03bf<\/p>\n\n\n\n
Gioachino Rossini: \u201cUna voce poco fa\u201d, \u03ac\u03c1\u03b9\u03b1 \u03c4\u03b7\u03c2 \u03a1\u03bf\u03b6\u03af\u03bd\u03b1
(1792-1868) \u03b1\u03c0\u03bf \u03c4\u03b7\u03bd \u03cc\u03c0\u03b5\u03c1\u03b1 \u039f \u039a\u03bf\u03c5\u03c1\u03ad\u03b1\u03c2 \u03c4\u03b7\u03c2 \u03a3\u03b5\u03b2\u03af\u03bb\u03bb\u03b7\u03c2
(\u03c0\u03c1\u03ce\u03c4\u03b7 \u03c0\u03c1\u03ac\u03be\u03b7, \u03c0\u03ad\u03bc\u03c0\u03c4\u03b7 \u03c3\u03ba\u03b7\u03bd\u03ae)
\u039c\u03b1\u03c1\u03af\u03b1 \u03a3\u03b2\u03ac\u03c1\u03bd\u03b1 \u03c4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9
\u03a6\u03bf\u03af\u03b2\u03bf\u03c2 \u03a6\u03af\u03bb\u03ba\u03b1\u03c2 \u03c0\u03b9\u03ac\u03bd\u03bf<\/p>\n","protected":false},"excerpt":{"rendered":"
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